Noveller feature

“Sarah has a real gift for using the palette of sound. Her guitar tone is classic, precise, and could have been on a Ventures or Shadows instrumental. But there’s a brooding and undulating maelstrom that she develops until finally it’s just blasting. I like the emotion but also the intelligence.” Anxious, turbulent, foreboding –but with stunning glimpses of great beauty– I went deep on Sarah Lipstate’s pandemic-friendly soundscapes.

Noveller Conjures Anxious and Hopeful Guitar Symphonies for Texas Monthly

“Stone Crush” Provides a Definitive Introduction to Modern Memphis Soul

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“You look at early rock ‘n’ roll, rockabilly, soul music, there were hundreds and hundreds of small labels in Memphis that were saying ‘why not me?’ Of course, there are hundreds of reasons for ‘Why not them,’ but they still persevered and cut a record.” Deep into the Mississippi mud of a Singing Dentist, a future prophetess boogie-fying Pigmeat Markham’s “Order in the Court,” and Gutbucket Chic, this is a great comp for fans of Dâm-Funk, PPU, and the like.

Stone Crush: Memphis Modern Soul 1977-1987 for Bandcamp

Vin Du Select Qualitite

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“I try to look at these records as collaborations between the label and the musicians. We have no interns, I pack every order, I answer every email, I try to take as much pride in the daily operations as I do the grand picture.” Exploring eclectic, trailblazing guitar soli in the 21st century (inspired by Johnny Smith, John Fahey, punk, and noise) with the Vin Du Select Qualitite label.

VDSQ Brings a Punk Aesthetic to Acoustic Music for Bandcamp

A Guide to Al Green Deep Cuts

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“Al Green made seriously sensuous music, but the fascinating, evergreen quality of it all is in how he embraces and wrestles with both the carnal and spiritual manifestations of love. The friction between the sacred and profane can be heard in nearly every note, alluring and manic in equal measure. Al Green is as suave and silken as he is shattered.”

A Guide to the Essential Al Green Deep Cuts for Bandcamp

Mayo Thompson

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“Me, I go with the contradictions. That’s what I’m interested in. That’s where the action is.” On the occasion of his recent string of concerts performing his lone solo album, Corky’s Debt to his Father, a feature on Mayo Thompson’s long, strange trip through Texas psychedelia, British post-punk and art-rock, Chicago post-rock, and more. For Texas Monthly.

Persian Electronic Music

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Digging through an old CDr of work from 2007 and came across this piece, originally written for The Believer, though I don’t believe it ever ran there and remains unpublished. It was based on a compilation of composer Alireza Mashayekhi and a CDr that Simon Reynolds sent to me. Not sure where either item might be now. But in light of this story about how David Rockefeller’s involvement with the Shah has led to decades of conflict between the US and Iran (buried in the Times buried at the end of the year), it felt timely. Most recent events suggests war is unavoidable. And so…

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Holly Herndon & Spawn

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In January of this year, I started speaking to Mat Dryhurst about artificial intelligence and machine learning. I knew very little about it, save for the works of David Behrman, George Lewis, and the like, early pioneers into the interface between man and computer. Mat was open, enthusiastic, and suggested many fine articles. Along with partner Holly Herndon, the two created Spawn, an artificial intelligence that was also a member of their vocal ensemble.

In April, I chatted at length with Dr. Holly Herndon about her upcoming album, PROTO, which was the first album to feature AI. It certainly won’t be the last.

And in November, an excerpt from this chat was finally published as part of New York Magazine‘s Future Issue. You can read that here.

Below is a deeper dive into the future of music and machine learning.

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